Blue Bubble I, 2017
Ground mineral pigments, gold, acrylic on wood panel
24 x 24 inches

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Courtesy of the artist and Joshua Liner Gallery

The Rising Son
Acrylic on maple wood panel
2010
15 x 17 inches

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Courtesy of the artist and Joshua Liner Gallery

Cultured,2017
Oil on linen
16x20 inches

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Bangkok, 2017
Silkscreen and acrylic gouache on paper and wood
48 x 15 inches

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*Signed Original

Little Fox
Egg tempera and oil paint
2017
16x20 inches

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Homegrown
Etching (Editioned print)
11 x 14 inches
Artist Proof

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Grandpa, 2001-2017
Cut paper on found object
11x 25x2 inches

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*Signed Original Varied Edition 2/12

Space Triangle
Cast bronze from burnout 3D print
2016
12x12x12 inches

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Orchid Man
Acrylic on panel, thread, crystal
2017
8x10 inches

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Bio

Collection
Frederick R. Weisman Art Foundation, Los Angeles
Ole Faarup, Copenhagen, Denmark
DNA Gallery Summer Residency Program, Cape Cod

The Devouring, 2017
Silkscreen and acrylic gouache on handmade paper
11 x 19 inches

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**Paper made by the artist

Untitled (Fab IV), 2014
18 x 24.5 inches

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Stygian
Glazed ceramic
2017
13x13x6 inches

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Turquoise, Iron, Gold
Gouache and Iridescent pigments on Activa clay tablet
2017
8x9.5 inches

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Yaya 2017
Blockprint and acrylic gouache on wood
79 x 50 x 1.5 inches

*Signed Original

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Congeries of Time
Graphite, ink, watercolor, and acrylic on canvas
2017
2 panels of 10x10 inches


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Wake
Ink and oil on canvas
2015
20 x 16 inches

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The Bearer
Bronze
8.5 x 14 x 3 1/4 inches

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The figure’s contrapposto creates a zigzag compositional line made of the asymmetrical arrangement of the standing leg, pelvis, torso, and head. The orientation of each, contrasts while balances the opposing diagonal thrust of the piece under it, creating an anatomical spring to support the weight the figure bears. With raised hands and simplified facial features, we are left to imagine his expression along with his burden.

We Warriors Stand Together To Create Mountains
Ink and gouache on New Mexico soil stained paper
2017
15x19 inches

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Drop
Gansai Japanese Watercolor on paper
2017
10 x 14 inches

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Monkey’s Paradise
Acrylic, markers, and mixed media on canvas
2017
16x20 inches

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Sister, 2017
4 layer hand pulled screen print
Heavyweight acid-free printmaking paper
14.75 x 14.25 inches

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*Signed, Numbered Edition of 250

Urannah, 2017
Acrylic on board
20 x 16 inches

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Flora Generica, 2017
Acrylic and ballpoint pen on clapboard
20 x 16 inches

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Bio
Jane Kim is an artist and science illustrator. These terms are used in tandem to describe two distinct disciplines that inspire her work. Science illustration helps to describe complex systems, depict the microscopic, record the world around us, bring the extinct back to life and imagine the future. While science illustration is governed by facts and a demand for accuracy, the beauty in fine art is a function of creative interpretation of both the artist and the audience. It can challenge and inspire us, spark an emotional response, and create a lasting connection. 

GARDEN PARTY pt.1, 2017
Watercolor, ink and gauche on paper
38 x 50 inches

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Lost Reception, 2016
Ink and Oil on canvas
20 x 16 inches

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Bio
Virginia Wagner makes paintings set in zones of conflict between human progress and the natural world. This tension plays out in the paint, as rigid grids contrast swampy pools and violent spills. Raised in a family of biologists, she has a unique perspective from which to observe the psychological and physical effects of our quickly changing planet. Wagner, with a literary degree from Oberlin College, uses narrative to expand and populate her visual worlds. Her interests in the figure and mythology aligned her with Neo-Expressionist and Leipzig School painters and led her to join the Agora Collective in Berlin. After receiving her MFA from MICA’s Hoffberger School of Painting, she worked in the studios of feminist, figurative artists Wangechi Mutu and Julie Heffernan. She received the 2016 Lotos Prize in Painting and has been granted residencies at the Edward Albee Foundation, Jentel Foundation, Ucross, Vermont Studio Center, and Yale Norfolk. Wagner currently teaches fine art at Pratt Institute and Montclair State University and lives in Brooklyn, NY.